It's sometimes hard to comprehend Mike Mignola's consistency as a creator, writer, and still occasionally, artist. He has been explo...

When Jean Renoir’s 1939 masterpiece The Rules of the Game premiered in Paris on the eve of the Second World War, moviegoers incensed at the...

Subsequent to my analysis of this fantastic panel from B. P. R. D.: 1946 #2, I came across the following photograph of Hitler surrounded...

B. P. R. D.: 1946 , which was released in a trade paperback this week, is one of the scariest things I have ever read. It is also one of t...

There is invariably some disappointment amongst fans of Mike Mignola's various comics that Hellboy - In The Chapel of Moloch --the first...

While it wouldn't be fair to describe Abe Sapien: The Drowning as impenetrable, it is certainly one of the more delightfully elusive c...

What can one say about a comic book that blends elements of detective fiction with classic sci-fi, horror and even German Expressionist cine...

The last issue of “The Crooked Man” was legitimately fucking scary. Most horror comics, like horror movies, aren’t actually scary or anythin...

One of the many things that makes Mike Mignola's constatly-growing Hellboy universe so great is how everything matters. Nothing feels to...