Showing posts with label All Star Superman. Show all posts
Showing posts with label All Star Superman. Show all posts

9/23/2009

Powerful Panels: Jack Kirby's Black Panther

Of course, we all know Jack Kirby as "the King of Comics" for his creation of much of the Marvel Universe and his wide breadth of more experimental work later on. He’s known for his furious work ethic and due to that the quality of his work can vary sometimes, especially late in his career. These variations can lead to big surprises--things that maybe wouldn't exist if Kirby was more consistent-- when, in the middle of a decent Black Panther comic, you get an engaging and deepy emotional page of Black Panther crawling for his life through the desert.

This three-issue arc’s main thrust consists of a monster running amok in the Black Panther’s kingdom, Wakanda. The Black Panther is off doing his own thing when his plane is hijacked and crash lands in the desert on his way home. The page grabs you at first because it’s such a contrast to what’s going on in the main monster storyline. Here the Black Panther isn’t battling a supervillain or confronting political issues, like in many comics of the time, but rather the real-life effects of nature and a dying body.

The tone of the page, and especially the above panel, parallels Morrison’s recent run on All-Star Superman. Here is a superhero on his dying breath struggling mentally to keep hope alive. Kirby and colorist Irene Varnitoff show the Black Panther’s face as a man on the brink of death by severe dehydration. It’s the same slow death as Superman, where the mind has time to think about what’s coming. Both heroes refuse to accept defeat as Superman inspires hope in those around him in his final days, and Black Panther talks about hope similarly--as the vital component to life. Each hero's ultimate strength come from a spirit that “yields no grounds to the demons of darkness.”

The parallels continue with the end of this Black Panther page and the finale of All Star Superman. The conclusion of Superman shows him sacrificing himself to save the sun thereby saving Earth. Morrison makes Superman/Jesus allusions all throughout the twelve-issue run and the ultimate fate of Superman is left ambiguous. He may return as a clone or maybe he is alive in the heart of the sun. Superman represents a god-like persona and even in defeat, through sheer force of will, turns things around.

Kirby was working with the same ideas decades before, undoubtedly influencing Morrison. Although Black Panther doesn’t represent anything more than human, the strange robot in the last panel becomes a kind of hero to a superhero; a God. God basically is this unknown thing and for all we know could be this crazy giant robot. It’s Black Panther’s saviour here and something that he summoned seemingly from will. Kirby changes from thought bubbles to speech in this panel making the robot’s appearance almost an incantation from Black Panther. In Kirby’s Black Panther and Morrison’s Superman, God is rooted in humanity. Humans are able to create, construct, and continue forward via hope and belief--and those things alone, the reality of such things don't matter--despite being surrounded by unknown and terrible conditions.

Kirby has always been especially interested in the idea of Gods and mythology. Galactus, in his first incarnation in Fantastic Four, represented and God, and years later, Kirby would illustrate a Silver Surfer graphic novel that begins with an introductory, full-page spread of Galactus’s opened hand with the Silver Surfer and cosmic rays bursting out. A comic book creation myth.

Galactus' hand is in the same similar position to the Black Panther’s hand with sand pouring off his fingertips. The thickness of the sand and the appearance of Kirby’s trademark cosmic circles give it a supernatural quality. Almost as if the sand is being created by the hand. It gives the impression that the Black Panther is willing life to surround him and not the more reasonable opposite. The robot that appears, created by Black Panther just as well. It’s a more cynical approach in that man has manufactured God, but it’s hopeful because man has that enormous power. Kirby’s idea of God shifts from an all powerful tyrant in Galactus, to a more human-based one similar to the Silver Surfer. Kirby sees the ability to hope in the face of impossible odds or to shape even shifting sands on his dying breath as representative of this nature.

2/13/2009

All Star Superman Complete Retrospective Fun Fest

Since you can now order All Star Superman Vol. 2, and recommend it to people without lending them your issues, I thought it'd be good idea to take a look back and remember just why the series was worth recommending in the first place. There have been a couple really great interviews with Morrison particularly this one at Newsrama. It's 10 parts and Morrison tell you pretty much everything you need to know about the series.

Issue 1: “…Faster…”
Summary: Superman saves Quintum’s mission to the sun from Lex’s plot to destroy it. In his trip Superman flies straight through the sun super charging his cells giving him new super powers, but also starting his road towards death.
Its Importance to the Series: This issue establishes all of the threads that will run through the series. It shows, through a speech by Quintum, that Superman's legacy isn’t just saving people’s lives but the hope he inspires.
Morrison Says: "And I think that’s what makes him great. He just keeps tirelessly trying to make things better, to be a role model for everyone. People take him for granted – he’s always dealing with characters who think he’s an idiot, or irrelevant or who just don’t like his plain morality and can’t see that he’s just a genuinely good guy slightly hampered by a fear of forcing his ideas on people." Link.


Best Panel: Superman flies through the sun. Yeah, it’s a two page spread but it’s too good to pass up. It’s only on page two but it’s when I first realized this series was great. Superman is completely rigid in his flying position but still looks like he’s gliding. His face has a mix of determination and hope that is perfect.
Best Quote: This issue is full of them but I got to go with, “I’m getting older and…and he isn’t. So, if I want to die happy, it’s time to get serious about killing Superman. Don’t you think?” –Lex Luthor
Craziest Sci Fi Moment: Voyager Titan. Quietly’s art helps make this thing really weird, but it’s Quintim’s explanation that is really nuts.



Issue 2: “Superman’s Forbidden Room”
Summary: After Lois finds out Superman is Clark Kent, they take a trip to the Fortress of Solitude. Lois stumbles onto a secret room and becomes paranoid about Superman's intentions.
Its Importance: Going deep into Superman and Lois’ relationship. She comments herself how strange it has been over the years. It shows Lois’ strength; she's willing to take on Superman.

Best Panel: Lois’ teeth. This panel is truly creepy and shows Lois’ paranoia about Superman.
Best Quote: “And you’ve always been Clark Kent? Sorry. I just don’t believe you Superman.” – Lois Lane

Craziest Sci Fi Moment: It’s a tour through the Fortress of Solitude so there are a lot but the craziest has to be Superman feeding the Sun-eater with miniature suns he creates on the Cosmic Anvil from New Olympus. Honorable Mention – The half-a-million ton fortress key.



Issue 3: “Sweet Dreams, Superwoman”
Summary: Lois is given the gift of Superman’s powers for 24 hours. They meet up with Samson and Atlas who flirt with Lois. Lois plays hard to get but sees Superman’s the real deal after he rescues her from the Ultra-Sphinx.
Its Importance: The issue shows how others behave with Superman-like powers. Samson, Atlas, and Lois all have powers comparable to Superman’s but he is constantly rescuing and setting right their mistakes.
Best Panel: Lois and Superman kissing on the moon. Everything on Earth is small to them compared to the feeling of this kiss. Lois is a stone-cold fox.
Best Quote: Lois’ life hangs on the line. The Sphinx asks Superman “What happens when the unstoppable force meets the immovable object?” Superman replies “Ha. How about this? They surrender.”
Craziest Sci Fi Moment: The Ultra Sphinx. Where did this guy come from???

Issue 4: “The Superman/Olsen War”
Summary: Jimmy Olsen becomes Professor Quintum for the day while doing a piece for the Daily Planet. Superman rescues him from the Underverse but is exposed to black kryptonite which turns him evil.
Its Importance: Establishes Jimmy Olsen as an actually interesting character. He isn’t annoying as has been hinted at in the previous issues, but always somehow at the center of action. We see Superman trusts Jimmy and values him as a close friend. When Superman turns evil, it’s Jimmy who handles the situation.
Best Panel: Another Superman flying. Similar to the first two page spread.
Best Quote: “The Black K Superman was everything you’re not. A bully, a coward… a liar…Weird thing is the worse he acted, the weaker he became.” – Jimmy Olsen
Craziest Sci Fi Moment: Quintum goes on a trip to meet the Elecrokind. Tungsten Gas life forms with a brittle glass exoskeleton.

Issue 5: “The Gospel According to Lex Luthor”

Summary: Lex Luthor has been sentenced to death. Clark Kent goes for an interview, but Parasite begins absorbing power, causing chaos in the jail.
Its Importance: This issue focuses on Lex Luthor. He talks about Superman as being an impossible ideal. He looks down on him because he comes from another planet and didn’t earn his super powers. He can’t see past his own ego to realize Superman is an inspiration to people.
Best Panel: Parasite falling through the panel. This is just an interesting panel technically. The edge of the panel is also the bottom and top of the floor. Parasite eats everything, even the world around him!
Best Quote: “We all fall short of that sickening, inhuman perfection, that impossible ideal. Feel that, Kent. Real muscles, not like his.” – Lex Luthor.
Honorable Mention: "Attila the Hun. Genghis Khan. Al Capone. Adolf Hitler. Lex Luthor..." -Judge at Luthor's trial.
Craziest Sci Fi Moment: Luthor’s Bibliobot Mark 2. “A roving library. He’ll read you any of a thousand classic works of literature from ‘Ulyssess’ to ‘A Tale of Two Cities’” -Luthor

Issue 6: “Funeral in Smallville”
Summary: Flashback time. We head back in time to Superman’s life in Smallville. He meets up with three generations of the Superman Squad, and deals with the death of his dad, Jonathan Kent.
Its Importance: Superman confronts death and the fact that he can't save everybody.
Best Panel: After flying around with Krypto, Superman relaxes on the moon, staring at the beauty of the Earth. The Earth is touched-up by computers enough to make it stand out, and look special to Superman. Reinforced by the Lois/Superman kiss panel in issue 3.
Best Quote: “He taught me that the measure of a man lies not in what he says but what he does. And showed me by example how to be tough, and how to be kind and how to dream of a better world. Thanks, Pa. Those are lessons I’ll never forget.” -Superman. Jonathan Kent's Eulogy.
Craziest Sci Fi Moment: Superman meets the leader of the Superman Squad.

Issue 7: “Being Bizarro”
Summary: The Bizarro World attacks earth. Superman, in an effort to save earth, gets stuck on the Bizarro World.
Its Importance: A lot of people say this is where the story slows down. I think it gives a deeper perspective on Superman and his personality. He recognizes he might be in a hopeless situation and that he’s only one man, but listens to help from his friends at the Daily Planet. With their help, he finally repels the Bizarros.
Best Panel: Godspeed Superman. I love these Superman flying panels. This one shows his trail as a kind of sci-fi neon light. It's computers so it contrast the art around it highlighting his superhuman speed.
Best Quote: “The formula for an experimental Bizarro Repellent is right here on this card I planned to give you. Merry Christmas.” –Superman talking to Lois
Craziest Sci Fi Moment: Square Earth.


Issue 8: “Us Do Opposite”
Summary: Superman, stuck on Bizzaro world where he is slowly dying. With the help of Zibarro, a genetic fluke of Bizarro world, and Bizarro Superman, he escapes on a rocket ship built from trash.
Its Importance: Superman is confronted with a world that makes no sense and one where he is slowly dying. He inspires hope in Zibarro, and inspires all the Bizzaros to help him get home. The Bizarros become an alternate version of humanity, one that's lazy and disorganized, and it shows the series' humanism about earth and its people.
Best Panel: This goes along with Lois' teeth panel. It's really creepy and gives the feeling of paranoia around Superman. Like one false step could be the end.
Best Quote: “Bizzaro-Green Lantern am no have ultimate power ring can make it real what me am no think of! Only trouble is…me am no think only of everything.”
Craziest Sci Fi Moment: Issue am too normal for un-science.

Issue 9: “Curse of the Replacement Supermen”
Summary: Superman comes back from the bizarre world to discover Lilo and Bar-El, astronauts from Krypton, have found their way to Earth. They have some ideas of their own on what to do with the planet. When they become afflicted with a Kryptonite illness, Superman saves their lives by sending them to the phantom zone.
Its Importance: Lilo and Bar-el show another path that Superman’s personality could have taken. They are obsessed with their heritage from Krypton and look to take over the Earth as Dictators. Superman’s basic kindness is shown again when he tries to help the two after they’ve become sick by Kryptonite.
Best Panel: Lilo! Quitely is a master of showing cowardice and fear.
Best Quote: “That’s not fair. What right do I have to impose my values on anyone?” -Superman
Craziest Sci Fi Moment: Repairing a crack in the moon with bridges!

Issue 10: “Neverending”

Summary: A lot goes on in this issue. Superman writes his will, and rushes around the world doing good deeds. He creates a universe to see what it would be like without him.
Its Importance: This is my favorite issue of the series. The best scene is when Superman talks a young girl from committing suicide. The issue takes all the themes of the series and compresses them down into short moments. Lex spitting at Superman is an example of everything that goes on between them.
Best Panel: Superman’s Last Will and testament. His clothes are too big. He's looking completely weak and vulnerable here.
Honorable mention: Regan dropping her cell phone. Has that timelessness effect. Where things hang in the air.
Best Quote: “As she spoke, I watched 35,000 dead skin cells scattering like confetti…like promises…like the dust of stars.” -Superman reflecting later on a conversation with Lois.
Craziest Sci Fi Moment: Creation of Earth Q.




Issue 11: “Red Sun Day”
Summary: Superman inches closer to his death. Lex Luthor somehow survived execution and is now super powered. Earth is attacked Solaris but is defeated by Superman and his robots. Superman is finishing up his last moments before death.
Its Importance: This issue feels a lot like armageddon or something. Things are getting to the end of the line. Superman closes up the Fortress of Solitude for good. Death weighs everything down and it's pretty heavy.
Best Panel: There’s always a way. Something about this gets me. I don't think I've ever seen Superman without some kind of shirt on. Here his 'S' is obscured and he looks like a normal guy, except for that heroic look on his face.
Best Quote: "What a Life! I've traveled across time and space. I've seen and done thing beyond imagination. Blessed with friends like Pete and Lana and Jimmy. And Batman...what incredible adventures we've shared. What amazing people I've known." -Superman
Craziest Sci Fi Moment: Lex Luthor builds a robot in one panel.

Issue 12: "Superman In Excelsis"
Summary: Superman starts off in a dream/alternate universe of Krypton right before it explodes. Jor-El talks him back into living again. He returns and the final showdown with Luthor. He flies into the heart of the sun saving Earth one last time.
It's Importance: This is it. It's the final showdown. All the panels feel apocalyptic and claustrophobic. It's Superman's greatest challenge but somehow he's been planning it from the beginning. It's the end and it feels like it, but it somehow leaves you still wanting more. The ending feels like a bizarre cliffhanger to a sequel. This non-ending gives you the feeling of a loop and a desire to pick up issue 1 all over again.
Best Panel: Superman in the heart of the sun. See below quote.
Morrison Says: "Superman grew up baling hay on a farm. He goes to work, for a boss, in an office. He pines after a hard–working gal. Only when he tears off his shirt does that heroic, ideal inner self come to life. That’s actually a much more adult fantasy than the one Batman’s peddling but it also makes Superman a little harder to sell. He’s much more of a working class superhero, which is why we ended the whole book with the image of a laboring Superman."
Best Quote: Luthor's epiphany. It's weird that Luthor ends up kind of summarizing the feel of the series all in this quote: "This is how he sees all the time, every day. Like it's all just us, in here together. And we're all we've got."
Craziest Sci-Fi Momment: Superman's cells turn into pure energy-information.


9/24/2008

All Star Superman #12: The Anxiety of Influence

The two reviews of the final issue of All-Star Superman that have appeared in this forum have made particular note of the development of Frank Quitely's illustrations. Going over my copy of that comic, I was struck by the familiarity of several of the images (and indeed imagery) presented and I thought I would share a few examples with you here.

Tor-El?


As both Brandon and Jesse indicated in their respective reviews of this issue, the illustrations of all the major characters show a particular intensity of line work intended to show the decadence of age. The following image of Jor-El additionally evoked for me, in its design and aspect, the image of Tor that begins the second issue of Kubert's current series:





Darrow by way of Quitely


Note the similarity, particularly in the detail work, between the image portraying Luthor as he smashes an automobile and Geof Darrow's cover for the first issue of Frank Miller's Hard Boiled:





Meta-Metropolis


The final image of Superman as celestial clockwork operator brought to my mind several of the images of the laborers in the underground factory in Fritz Lang's Metropolis:



9/22/2008

All Star Superman #12: Superman.....secrets.


It took me kind of a while to decide how I felt about this one. It definitely wasn’t kind of the over-the-top science fiction ending that I expected. In the previous issue we saw a white-suited Superman and an army of robots fight a mad sentient sun in the depths of space. I remember thinking, "How are they going to top this one?" The answer is: they didn’t, at least not in the way I expected. What we got was a weird dream and a brawl between Luthor and Superman. Ultimately, it worked out better than anything I expected because it focused on Superman’s fears and his death.

Superman’s death, while magnificent in scope, is understated by the comic. Superman sacrifices himself and becomes one with the sun, but the actual panel of it happening is only a sliver of a page. Compare this to the double page spread of Superman flying through the sun or Superman and Lois on the moon and it looks particularly insignificant. There are three panels of Superman flying through space and then it just sort of happens. The next page is Lois and Jimmy in a Park one year later, and his death isn’t allowed to sink in at all. There’s no resolution to it until the page after with Superman in the heart of the Sun. I think it’s pretty clear that Superman isn’t coming back that and Lois is really just wishing.

As Brandon pointed out in his review the whole finale isn’t beautiful at all. The tears and the blood look disgusting. There’s smoke everywhere and Quitely makes Superman’s final actions on Earth claustrophobic. Quietly’s art coupled with the layout gives his death a jarring effect. It makes Superman’s final act feel more like a real death. It just sort of happens and it takes a while for it to sink in. When it’s all said and done it’s not it’s not the actual death that we remember, but an amalgam of memories and feelings from their life.

His death is preceded by a dream that outlines his fears and hopes for humanity. At the end of issue 11, Superman is technically already dead. Issue 12 starts with him in the land of radio-consciousness. This is interpreted by Superman as an exploding Krypton where he is Kal-el son of Joe-el. Kal-el is completely oblivious to his current situation and it’s his father that tells him he’s actually dead. Through some strange protests by Kal-el at the end of this sequence it ends up feeling more like a vision than an actual occurrence, and it becomes more of a peak into Superman’s unconscious. He is like a father figure to the world, but struggles with what it means to be a father. The issue implies that one day humans will become super-men just like the Kryptonians, and the exploding Krypton embodies Superman’s fear for the present and future of Earth. In these pages he’s working to save Krypton and worries about losing the people he’s fighting to save. He struggles with the idea of not being able to save everyone, which goes back to issue 6 when he cries out at not being able to save Jonathan Kent from a heart attack.

His ultimate dream is not that the world will be OK without him but that humans will one day ascend to his level. Not the level of super-powers but more like his level of awareness, which Lex seems to attain for a moment when he loses his 24-hour superpowers. His final image and hope is a populist one. He's in the center of the Sun working like in a factory. He wants everyone to be O.K. and to ascend as a race, but his final actions are elitist By leaving the hope for humanity solely in the hands of Professor Quintum puts his trust in science and technology. It's a hopeful, but strange vision for the future. Professor Quintum and his P.R.O.J.E.C.T. team continue to invent new technologies continuing our racial advancement, while Jimmy and Lois remain on Earth and figure out how to deal with it all. A challenge for human ingenuity, indeed.

9/19/2008

All-Star Superman #12

All-Star Superman #12 is a fascinating contrast to "Batman RIP" and Final Crisis, the two other Morrison series going on, because both of those stories totally lost their footing last issue and even at their best, you came out of them thinking, "I appreciate what he's doing" while All-Star Superman bypasses intellectualizing and just feels perfect.

As expected, everything sort of comes together in the final issue of All-Star Superman, but it's not in a back-story/continuity obsessed way nor is it a kind of stand-alone, super satisfying way either. The whole issue's like the rest of the series--and like the best Morrison writing--a wobbly, non-narrative, but forward moving nonetheless, trip through lots of ideas both heady and silly, with the right amount of sincerity and emotion, and a scene or two that totally understands the mythology and iconography that make comics goofy kids stuff and the shit that makes grown-ass men like myself tear-up.

The opening scene, a dream-but-not-dream sequence between Superman and his father, ends with Superman getting a choice between occupying the place "individual awareness builds for itself", either heaven ("thought-palaces") or hell, or "to turn and face down evil one last time." The Morrison-ian touch there is that we decide upon death, whether to occupy heaven or hell, and that returning to Earth to live a little while longer, isn't any kind or relief or pardon, but Superman takes it anyway because he's that dude.

The entire series has been about death and Superman dying but it's been a given since issue one, sucking out the silly "we're killing a hero" crap companies do to get more readers and just sort of moving ever closer to that inevitability. The fact that it was announced in issue #1 and that it was known the series had twelve issues, made the death of Superman a reality, but a reality like the weird/sad understanding that your parents or pet will die. You know it's coming and you have some sense of when, but it's still pretty heavy.

It's Morrison bringing palpable mortality to comic books. He did the same thing in issue #1 of Final Crisis when he killed-off Martian Manhunter like it was nothing, joked about it ("let's pray for a resurrection" said Superman), and totally didn't dwell on it all; it was like a real death, quick and unexpected and meaningless. Here, it's less cynical--I assume because Morrison cares a little more about this series--but the effect is the same.

Quitely's art too, seems concerned with the flesh, as Superman and Luthor look particularly lumpy in this issue. He's been slowly making them skinnier and the entire look of the series, while still relatively bright and rotund, is getting more lines and wrinkles but here, it's almost too much. Too much in the sense that this final issue isn't as fun to look at, but that's a good thing.

It's telling that some of the most well-wrought imagery, that which doesn't have this almost Leinil Yu-esque line scratchiness to it, is of destruction--a crumbling Krypton space-station, debris on the floor of the Daily Planet, and the brilliant page where Lex is struck by a car--which makes sense in a comic that ultimately, finds significance and beauty in things coming apart and not working out perfectly. Superman defeats Luthor, but you almost feel fucked up about it. Luthor's no longer any kind of threat and he pathetically doesn't realize it, and Quitely illustrates each glob of blood that flies off his face from Superman's punches as ugly as possible. Even the final Superman/Lois embrace is a little off because Superman's not wearing his cape, Superman's cells are slowly deteriorating, and Lois is crying (the tears too are ugly, like Luthor's blood). Of course, this all makes it more affecting.

9/17/2008

L-L-L-Ladies & Gentlemen...

-KW Griff "Tony's Back"

Days like today are stressful. When one of the best comics you've read in awhile by one of the most bat-shit crazy comics writers ever is about to conclude, it's a little scary. Pretty much however All-Star Superman ends will be fine, still, let's hope it wraps up as perfectly as it's done everything else.

To take the edge off, listen to the John Williams' "Superman Theme"-sampling "Tony's Back" by Baltimore Club legend KW Griff. Just like the original, this one teases you with those flutters of strings and you keep waiting for it to break-out into superhero fanfare, but it throws in some club breaks and over time, Griff shortens the sample and flips it all kinds of ways. The titular Tony is Miss Tony (and sometimes Big Tony), an early club DJ, Baltimore personality, and drag-queen, who passed away in 2003. Here's some classic Miss Tony songs that don't have anything to do with Superman but are really awesome.



All Star Superman Retrospective Fun Fest

Ok All Star Super-fans, the big day's today. The final chapter of Morrison and Quietly’s amazing take on Superman. There’s been such a long time in between the chapters that sometimes I forget all the details. The series has been filled with great panels, quotes, and crazy sci-fi moments so, here is a look back on the best of each issue.

Issue 1: “…Faster…”
Summary: Superman saves Quintum’s mission to the sun from Lex’s plot to destroy it. In his trip Superman flies straight through the sun super charging his cells giving him new super powers, but also starting his road towards death.
Its Importance to the Series: This issue establishes all of the threads that will run through the series. It shows, through a speech by Quintum, that Superman's legacy isn’t just saving people’s lives but the hope he inspires.
Best Panel: (Superman flies through the sun) Yeah, it’s a two page spread but it’s too good to pass up. It’s only on page two but it’s when I first realized this series was great. Superman is completely rigid in his flying position but still looks like he’s gliding. His face has a mix of determination and hope that is perfect.
Best Quote: This issue is full of them but I got to go with, “I’m getting older and…and he isn’t. So, if I want to die happy, it’s time to get serious about killing Superman. Don’t you think?” –Lex Luthor
Craziest Sci Fi Moment: Voyager Titan. Quietly’s art helps make this thing really weird, but it’s Quintim’s explanation that is really nuts.



Issue 2: “Superman’s Forbidden Room”
Summary: After Lois finds out Superman is Clark Kent, they take a trip to the Fortress of Solitude. Lois stumbles onto a secret room and becomes paranoid about Superman's intentions.
Its Importance: Going deep into Superman and Lois’ relationship. She comments herself how strange it has been over the years. It shows Lois’ strength; she's willing to take on Superman.

Best Panel: Lois’ teeth. This panel is truly creepy and shows Lois’ paranoia about Superman.
Best Quote: “And you’ve always been Clark Kent? Sorry. I just don’t believe you Superman.” – Lois Lane

Craziest Sci Fi Moment: It’s a tour through the Fortress of Solitude so there are a lot but the craziest has to be Superman feeding the Sun-eater with miniature suns he creates on the Cosmic Anvil from New Olympus. Honorable Mention – The half-a-million ton fortress key.



Issue 3: “Sweet Dreams, Superwoman”
Summary: Lois is given the gift of Superman’s powers for 24 hours. They meet up with Samson and Atlas who flirt with Lois. Lois plays hard to get but sees Superman’s the real deal after he rescues her from the Ultra-Sphinx.
Its Importance: The issue shows how others behave with Superman-like powers. Samson, Atlas, and Lois all have powers comparable to Superman’s but he is constantly rescuing and setting right their mistakes.
Best Panel: Lois and Superman kissing on the moon. Everything on Earth is small to them compared to the feeling of this kiss. Lois is a stone-cold fox.
Best Quote: Lois’ life hangs on the line. The Sphinx asks Superman “What happens when the unstoppable force meets the immovable object?” Superman replies “Ha. How about this? They surrender.”
Craziest Sci Fi Moment: The Ultra Sphinx. Where did this guy come from???

Issue 4: “The Superman/Olsen War”
Summary: Jimmy Olsen becomes Professor Quintum for the day while doing a piece for the Daily Planet. Superman rescues him from the Underverse but is exposed to black kryptonite which turns him evil.
Its Importance: Establishes Jimmy Olsen as an actually interesting character. He isn’t annoying as has been hinted at in the previous issues, but always somehow at the center of action. We see Superman trusts Jimmy and values him as a close friend. When Superman turns evil, it’s Jimmy who handles the situation.
Best Panel: Another Superman flying. Similar to the first two page spread.
Best Quote: “The Black K Superman was everything you’re not. A bully, a coward… a liar…Weird thing is the worse he acted, the weaker he became.” – Jimmy Olsen
Craziest Sci Fi Moment: Quintum goes on a trip to meet the Elecrokind. Tungsten Gas life forms with a brittle glass exoskeleton.

Issue 5: “The Gospel According to Lex Luthor”

Summary: Lex Luthor has been sentenced to death. Clark Kent goes for an interview, but Parasite begins absorbing power, causing chaos in the jail.
Its Importance: This issue focuses on Lex Luthor. He talks about Superman as being an impossible ideal. He looks down on him because he comes from another planet and didn’t earn his super powers. He can’t see past his own ego to realize Superman is an inspiration to people.
Best Panel: Parasite falling through the panel. This is just an interesting panel technically. The edge of the panel is also the bottom and top of the floor. Parasite eats everything, even the world around him!
Best Quote: “We all fall short of that sickening, inhuman perfection, that impossible ideal. Feel that, Kent. Real muscles, not like his.” – Lex Luthor.
Honorable Mention: "Attila the Hun. Genghis Khan. Al Capone. Adolf Hitler. Lex Luthor..." -Judge at Luthor's trial.
Craziest Sci Fi Moment: Luthor’s Bibliobot Mark 2. “A roving library. He’ll read you any of a thousand classic works of literature from ‘Ulyssess’ to ‘A Tale of Two Cities’” -Luthor

Issue 6: “Funeral in Smallville”
Summary: Flashback time. We head back in time to Superman’s life in Smallville. He meets up with three generations of the Superman Squad, and deals with the death of his dad, Jonathan Kent.
Its Importance: Superman confronts death and the fact that he can't save everybody.
Best Panel: After flying around with Krypto, Superman relaxes on the moon, staring at the beauty of the Earth. The Earth is touched-up by computers enough to make it stand out, and look special to Superman. Reinforced by the Lois/Superman kiss panel in issue 3.
Best Quote: “He taught me that the measure of a man lies no in what he says but what he does. And showed me by example how to be tough, and how to be kind and how to dream of a better world. Thanks, Pa. Those are lessons I’ll never forget.” -Superman. Jonathan Kent's Eulogy.
Craziest Sci Fi Moment: Superman meets the leader of the Superman Squad.

Issue 7: “Being Bizarro”
Summary: The Bizarro World attacks earth. Superman, in an effort to save earth, gets stuck on the Bizarro World.
Its Importance: A lot of people say this is where the story slows down. I think it gives a deeper perspective on Superman and his personality. He recognizes he might be in a hopeless situation and that he’s only one man, but listens to help from his friends at the Daily Planet. With their help, he finally repels the Bizarros.
Best Panel: Godspeed Superman. I love these Superman flying panels. This one shows his trail as a kind of sci-fi neon light. It's computers so it contrast the art around it highlighting his superhuman speed.
Best Quote: “The formula for an experimental Bizarro Repellent is right here on this card I planned to give you. Merry Christmas.” –Superman talking to Lois
Craziest Sci Fi Moment: Square Earth.


Issue 8: “Us Do Opposite”
Summary: Superman, stuck on Bizzaro world where he is slowly dying. With the help of Zibarro, a genetic fluke of Bizarro world, and Bizarro Superman, he escapes on a rocket ship built from trash.
Its Importance: Superman is confronted with a world that makes no sense and one where he is slowly dying. He inspires hope in Zibarro, and inspires all the Bizzaros to help him get home. The Bizarros become an alternate version of humanity, one that's lazy and disorganized, and it shows the series' humanism about earth and its people.
Best Panel: This goes along with Lois' teeth panel. It's really creepy and gives the feeling of paranoia around Superman. Like one false step could be the end.
Best Quote: “Bizzaro-Green Lantern am no have ultimate power ring can make it real what me am no think of! Only trouble is…me am no think only of everything.”
Craziest Sci Fi Moment: Issue am too normal for un-science.

Issue 9: “Curse of the Replacement Supermen”
Summary: Superman comes back from the bizarre world to discover Lilo and Bar-El, astronauts from Krypton, have found their way to Earth. They have some ideas of their own on what to do with the planet. When they become afflicted with a Kryptonite illness, Superman saves their lives by sending them to the phantom zone.
Its Importance: Lilo and Bar-el show another path that Superman’s personality could have taken. They are obsessed with their heritage from Krypton and look to take over the Earth as Dictators. Superman’s basic kindness is shown again when he tries to help the two after they’ve become sick by Kryptonite.
Best Panel: Lilo! Quitely is a master of showing cowardice and fear.
Best Quote: “That’s not fair. What right do I have to impose my values on anyone?” -Superman
Craziest Sci Fi Moment: Repairing a crack in the moon with bridges!

Issue 10: “Neverending”

Summary: A lot goes on in this issue. Superman writes his will, and rushes around the world doing good deeds. He creates a universe to see what it would be like without him.
Its Importance: This is my favorite issue of the series. The best scene is when Superman talks a young girl from committing suicide. The issue takes all the themes of the series and compresses them down into short moments. Lex spitting at Superman is an example of everything that goes on between them.
Best Panel: Superman’s Last Will and testament. His clothes are too big. He's looking completely weak and vulnerable here.
Honorable mention: Regan dropping her cell phone. Has that timelessness effect. Where things hang in the air.
Best Quote: “As she spoke, I watched 35,000 dead skin cells scattering like confetti…like promises…like the dust of stars.” -Superman reflecting later on a conversation with Lois.
Craziest Sci Fi Moment: Creation of Earth Q.




Issue 11: “Red Sun Day”
Summary: Superman inches closer to his death. Lex Luthor somehow survived execution and is now super powered. Earth is attacked Solaris but is defeated by Superman and his robots. Superman is finishing up his last moments before death.
Its Importance: This issue feels a lot like armageddon. or something Things are getting to the end of the line. Superman closes up the Fortress of Solitude for good. Death weighs everything down and it's pretty heavy.
Best Panel: There’s always a way. Something about this gets me. I don't think I've ever seen Superman without some kind of shirt on. Here his 'S' is obscured and he looks like a normal guy, except for that heroic look on his face.
Best Quote: "What a Life! I've traveled across time and space. I've seen and done thing beyond imagination. Blessed with friends like Pete and Lana and Jimmy. And Batman...what incredible adventures we've shared. What amazing people I've know." -Superman
Craziest Sci Fi Moment: Lex Luthor builds a robot in one panel.

Issue 12? Who knows what'll happen tomorrow hopefully it will be great. The best thing about this series is that in issue 12 absolutely anything could happen.